Entries Tagged as 'Uncategorized'

Pepper

Just finished Straight Life: The Story of Art Pepper, sobbing at the end, sitting at the kitchen table with a can of beer at 2 am. An amazingly compelling book, and one I found out about by reading The Professor, which was good, though a few of the essays collapsed under the weight of their stylistic conceits, and all of them bogged down at points because of Castle’s obssessive name dropping–imagine a more biting David Sedaris mixed with Dennis Miller at his most obscure. It seems a condition common to many academics, particularly in the humanites: the needs to constantly prove how smart you are, and what form your intelligence takes; it makes sense, I guess, given the jobs folks like Castle hold, in gladitorial pits stainedwith the guts of the less erudite… except that they’re not really gladitorial at all, just like CEOs who fancy themselves hard hearted warriors of the bottom line–they aren’t warriors, and nor are academics. Which is not to discount the idea of intellectual or spiritual or emotional battle-as-performance, of course. Art Pepper was a warrior whenever he played his horn. But the overwhelming majority of academics (and other public intellectuals) and CEOs who fancy themselves gladiatorial are more like fat children whacking each other with whiffle bats. Not that Castle succumbs to this (much), but rather the particular habit of constant, obscure name-dropping seems the sort of defensive habit someon might develop after spending much of their life around such people. Her book is still worth reading, but Straight Life should come first.

CDs: I am tired if writing about each CD (Reminder: my wife challenged me to listen to all my CDs, one at a time. So I am.), so for a while I will just list them at the bottom of a given post:

307) Bloque: De Busqueda; 308) Richard Thompson: Guitar, Vocal; 309) Faith No More: Introduce Yourself; 310) Billie Holiday: The Gold Collection; 311) Eric Clapton: Rush: The Soundtrack (yuck!); 312) Sarah McLachlan: fumbling towards ecstasy: 313) Willie Nelson: Teatro
Please order my new book! It’s cheap! And if enough people pre-order, it might get released sooner than Januaray 2011…

Piazzolla…

I get spambots posting to this site fairly regularly, many in Cyrillic, so I’m not always sure how they are trying to sound conversational… until yesterday, when one was kind of enough to leave a message in english, too: “Deeply good post. Blame you.” Nice.

I’m halfway through the 10 CD Astor Piazzolla box set, which is more lovely than I can describe. There’s some swinging 70’s synthy, rocking kind of stuff, which I didn’t expect, and several fine vocal guests. I can definitely understand why some surrealists thought tango was the perfect music, it manages to stir both intellectual and emotional passions, is prickly and dreamy all at once–what if tango occupied the place a 4/4 rock and roll beat does now? This is pretty cool: 200 Versions of “Adios Nonino”.

Please order my new book! It’s cheap! And if enough people pre-order, it might get released sooner than late December…

Also, I have started a net label: fubar bundy presents. Please go have some free music, though we’ve only one release up yet.

(quick CD dump, I’m going on vacation in a few days. I have also listened to these CDs, as I try to listen to all the ones I own, one at a time: 301) Cowboy Junkies: Rarities, B-Sides, and Slow, Sad Waltzes ; 302) The Polyphonic Spree: Have a Day ; 303) Public Enemy: It Takes a Nation of Millions to Hold Us Back (think they just played in Buffalo…) ;  304) Cowboy Junkies: Open ; 305) Radiohead: The Bends (thanks Troy, good choice) ; 306) Psychedelic Furs: Forever Now)

Is a map an argument?

I read something the other day that has occupied my head ever since: the author was talking about the lukasa, a sacred object that the Luba people use in various rituals and which has a wealth of information encoded in its designs, cognitive cues meant to help the skilled reader tell stories, give advice, render judgment, and so forth. Many ritual objects serve this purpose, of course, but then the author went on to say that it was “more of a map than an argument.” The author is quite fastidious about acknowledging western bias elsewhere, so it’s not just that he is denigrating the lukasa, he is in fact delighted and amazed by it. He just thinks that maps are not arguments. I certainly understand his distinction; maps do not make overt attempts at persuasion… but they do, really, they persuade the person reading the map that the map is an accurate representation of whatever it is mapping, that it will help the reader get from here to there, and the act of successfully reading and using a map argues that maps are good for this kind of thing. And yet, maps leave out so much, they reduce 4 dimensional space (yes, I’m including time) to 2 dimensions, even the measurement of time is reduced to a 2-d coordinate plane. Maps have to reduce and impoverish the reality they describe, or they would be ineffective, since the map that takes everything in is not a map. Then there are maps to celebrity homes, and to fancy restaurants, and there are argument maps, and the musical artist maps, and–well, maps are a language, they are part of our grammatical brain structure, the means by which we constantly reduce and inflate the real and try to make it manageable. So, is language an argument? Perhaps defining terms would help, and no, that’s not meant as a joke. So, I’ll check the dictionary, which is a map, and also makes an argument:

map

/mæp/   verb, mapped, map·ping.

–noun

1.

a representation, usually on a flat surface, as of the features of an area of the earth or a portion of the heavens, showing them in their respective forms, sizes, and relationships according to some convention of representation: a map of Canada.
2.

a maplike delineation, representation, or reflection of anything: The old man’s face is a map of time.
3.

Mathematics . function ( def. 4a ) .
4.

Slang . the face: Wipe that smile off that ugly map of yours.
5.

Genetics . genetic map.
–verb (used with object)

6.

to represent or delineate on or as if on a map.
7.

to sketch or plan (often fol. by out ): to map out a new career.

—Idioms

8.

off the map, out of existence; into oblivion: Whole cities were wiped off the map.
9.

put on the map, to bring into the public eye; make known, famous, or prominent: The discovery of gold put our town on the map.

Origin:
1350–1400;  ME mappe- ( mounde ) < ML mappa mundī  map of the world; special use of L mappa  napkin, said to be < Punic
Wow, napkin? That makes weird sense. A map is a representation of something, often put on flexible material (like  napkin?)

ar·gu·ment

–noun

1.

an oral disagreement; verbal opposition; contention; altercation: a violent argument.
2.

a discussion involving differing points of view; debate: They were deeply involved in an argument about inflation.
3.

a process of reasoning; series of reasons: I couldn’t follow his argument.
4.

a statement, reason, or fact for or against a point: This is a strong argument in favor of her theory.
5.

an address or composition intended to convince or persuade; persuasive discourse.
6.

subject matter; theme: The central argument of his paper was presented clearly.
7.

an abstract or summary of the major points in a work of prose or poetry, or of sections of such a work.
8.

Mathematics .

a.

an independent variable of a function.
b.

Also called amplitude. the angle made by a given vector with the reference axis.
c.

the angle corresponding to a point representing a given complex number in polar coordinates. Compare principal argument.
9.

Computers . a variable in a program, to which a value will be assigned when the program is run: often given in parentheses following a function name and used to calculate the function.
10.

Obsolete .

a.

evidence or proof.
b.

a matter of contention.

Origin:
1325–75;  ME (< OF) < L argūmentum. See argue, -ment
Well, the definition of “argue” worked better, actually, but this definition helps, I think: an address or composition intended to convince or persuade; persuasive discourse.” A map is an address or composition, yes? And every time we use language, we are trying to persuade… what language use would be non-persuasive? I know I’m dithering here, that the usual, accepted connotations of “argue,” “map,” and “language” are intended to keep them distinct, lest our concepts become a soup–but even the way we conceptualize and distinguish between concepts, linguistically, is a kind of mapping, and a kind of argument. Boy, I’m hungry.

282) Gnarls Barkley: The Odd Couple
The bend of Cee-Lo’s voice and Dmouse’s hyper-perfect production is cool, a fine veneer, but they also make some good songs, when they don’t get lost in the veneer. “Who’s Gonna Save My Soul” sounds like Billie Holiday wandered into Blake Edward’s The Party and made everyone feel self-conscious, in a good way.

283) Captain Beyond: Sufficiently Breathless
If classic rock stations played classic rock everyone hadn’t heard a bazillion times, and if they didn’t pick the worst goddamn songs to play in the first place (“Feel Like Making Love”? “Whole Lotta Love”? “Could This Be Love”? Sheesh), then maybe they’d play Captain Beyond. Of course, they’d also play Uriah Heep, which would be not a good thing at all….

284) The Be Good Tanyas: Blue House
Didn’t I just listen to a Be Good Tanyas CD? Yep, I sure did. This one is equally fine, quiet and a little scary, as any group covering “Coo-Coo Bird” should be.

Ambition…

Here’s a good one: “tradition is based on pride in collective habit, on the conscience that approves the pride, and on the fear that if habit and conscience fail, the result will be social chaos, the fear of which is in turn based on a particularly low assessment of human nature” (Ami-Scharfstein). I am trying to write a novel, which is a fairly traditional thing to do, and I suppose I do have pride in the collective cultural habit of producing novels. My conscience, the moral judge seated in every person (well, almost every person) by the same collective habit, approves this pride, believes novels are  “good to think” (as Levi-Strauss put it). I do not think that we would descend into social chaos if people stopped reading and writing novels, however, though I do find the idea very sad. I am fairly certain, actually, that we will grow beyond reading and writing at some point in the near future, though i think we will retain a grammar for things, however we do manage to communicate them. Ah well, time is long.

I managed to write 6,000 words yesterday, then was overcome by the need to go get ice cream. Maybe I can get to 10k today; then again, maybe I need to get some qat.

278) Gogol Bordello: Multi-Kontra-Culti vs. Irony

I have heard that the Rick Rubin produced the latest GB CD, and that it flies out of the speakers in close approximation to their live shows. I can’t believe that, since their live shows are something to behold, but o what a fun band, even if Hutz is faking the whole accent thing…

279) Eugene Chadbourne and Evan Johns: Terror Has Some Strange Kinfolk

Boy, Eugene loves to make scritchy noises with his guitars. Any recording by him will feature: scritchy, noisy guitars; goofy covers (“Achy Breaky Heart”); clumps of free jazz that last 30 sec-2 min; political rants in a comical southern accent. For people who find this approach appealing (like me), it’s loads of fun. Everyone else will leave the room.

280) Huun-Huur-Tu: The Orhpan’s Lament

There’s a lot more to Tuvan music than throat-singing, though the throat-singing is pretty cool. Tone, timbre, mood, all are carefully orchestrated to evoke the mood of the open plain, the relationship of human art to the natural world, and the essential loneliness of human beings. And they play a rattle made from a bull scrotum.

281) Gang of 4: A Brief History of the 20th Century

I like this band more than just about any band that made music between 1978-1985. Why? I’m not sure exactly, maybe just the fact that the idea we could dance our way to revolution seems real when I listen to them…

Trackback

That’s interesting, I posted a link to a review David Blaine did of my 2nd book here, and the whole post appeared automatically as a comment under the review on the outsiderwriters website. They must also be using WordPress too, I guess?

unhappy hipsters.

CDs, December 09

A reminder: I am listening to all my CDs (all 1600 of them), one at a time, and then writing a bit about each.

72) The Clash: Combat Rock

London Calling is better, but this is still a great CD, and “Straight To Hell” may be my favorite Clash song just now. It’s also the CD most people will recognize, so if you are stuck in a room with 100 strangers, and you just have to play a Clash CD, then this one will please the largest percentage of folks, at least once “Should I Stay Or Should I Go” comes on; “this is a public service announcement–with GUITARS!” will probably alienate many of them at first, and then “Car Jamming” is a bit of a wash, but then the hits come one and you are off and running and won’t be torn limb from limb by the mob. (bonus: they never became the Rolling Stones, let alone Led Zeppelin, despite the attempts of many coke-spoon and pinky-ring wearing bastards to make them so.)

73) Karen Dalton: It’s So Hard To Tell Who’s Going To Love You Best

Dalton was a part of the Greenwhich Village folk revival, playing with Dylan before he needed to shave–not sure he needs to now, actually–and she had an amazing, languid, slightly gravely voice that sounds a bit like a mix of Billie Holiday and Edith Piaf. She didn’t sing in french, just had a similar world weary creakiness to her tone… and she played a big old tenor banjo too. But, she had a sad life, mental illness, homelessness, and early death, and listening to her sing, such a fate is not hard to imagine. (bonus: well, just listen:

)

74) Psychic TV: Trip Reset

I have a Throbbing Gristle CD somewhere, and I used to have one of the earllier Psychic TV LPs laying around; P-orridge and the gang seemed to get more and more playful with each recording, and after listening to this CD the first time (which is downright goofy, albeit laced with images of blood), I had to go back and check out Throbbing Gristle again to be sure I hadn’t missed something. And I think I found the thread: this is a kids CD, more or less, composed by a person who used to pierce his penis with needles onstage, and in fact the old TG stuff–”Hamburger Lady,” “His Arm Was Her Leg,” etc–is kids music too, kids music for folks bored with pop and uninterested in more difficult avant-garde stuff. Quite a lot of fun, actually. (bonus: I won’t embed the video this time, but this short documentary, about P-Orridge’s life after the death of his love, Lady Jaye, is quite affecting, especially because he and Jaye had been having lots of plastic surgeries in an attempt to look more like one another and essentially become one being.)

75) Ana Moura: Guarda-me a vida na mão

Moura sings fado, which is an achingly sad Portugese genre that, according to some, began with poor women singing a cappella in taverns around Lisbon for $. Whatever the origin, fado songs are generally sparse, often in minor keys, and usually address some aspect of suadade, an apparently untranslateable Portugese word that means something like “longing for what is love.” The word immediately reminded me of “mono no aware,” a Japanese term (物の哀れ) that means something very similar, a yearning born of the transient nature of things, and a sensitivity to their inevitable disappearance from this world. And yes, that’s what these songs evoke, even though my knowledge of Portugese is pretty much limited to fado and suadade. (bonus: fado singers are called fadistas. Don’t know why, but that just tickles me).

Hot damn.

Feel pretty good today. It’s been a while since I was proud enough of my countrymen to cry with joy. Cheers!

The suburbs

An interesting discussion on the freakonomics blog:

future of the suburbs

I’ve lived in suburbs and always found it a soul-draining experience, but lots of people seem to like them. Another example of how the internet lets us see into the thought processes of people whose existence we may have begun to suspect was a media ploy.

Go Bills!

this is too funny:

American Football by Harold Pinter
Hallelujah!
It works.
We blew the shit out of them.We blew the shit right back up their own ass
And out their fucking ears.It works.
We blew the shit out of them.
They suffocated in their own shit!

Hallelujah.
Praise the Lord for all good things.

We blew them into fucking shit.
They are eating it.

Praise the Lord for all good things.

We blew their balls into shards of dust,
Into shards of fucking dust.

We did it.

Now I want you to come over here and kiss me on the mouth.

(accessed:  http://famouspoetsandpoems.com/poets/harold_pinter/poems/16163.html)

Because it’s September 11th (and soon to be Sept 12th)

GB’s Lake

On September 12th, 2001, I went fishing. Perhaps not the most patriotic reaction, but my place of employment had been closed for the day and sitting propped in front of the TV news seemed even less patriotic than angling. The mega-corporation that my wife works for stayed open, of course, although some shadowy cabal in charge of morale did broadcast a company-wide email recommending folks seek out one of the many crisis management-certified staff members, if they felt the need. It has been my experience that a certain ratio exists between a) the difficulty management has reacting emotionally to events not directly tied to mutual funds or golf, and b) the size of the corporate entity they inhabit, so the flat inadequacy of the communiqué Ashley received was no surprise. Corporations exist globally, and the destruction of the twin towers had revealed that the U.S., for all its posturing, was still largely provincial, and the very act of revealing the frightened, suspicious, local character of our people made them even more frightened and suspicious–but then again, this small town character was also the source of all the acts of selflessness and bravery that followed in the wake of the towers’ collapse. Strip malls and big box stores cannot, despite their best efforts, smother this provinciality: the run-down storefronts I passed on my way to the fishing hole were built to hold handcrafted furniture stores and upscale pizza chains, but had long ago lost their lease on that dream and held instead Spanish-language shoe repair/pool hall combos, fly-by-night day labor shops, and storefront revival halls.

The fishing hole itself was called G.B.’s Lake, and while small for a lake, it was certainly much bigger than a pond, and terribly convenient besides. I can’t recall if a friend told me about it or if I stumbled across its address while wandering the internet, but it was the sort of fishing hole you really had to look for lest you fall right in. Driving there was largely a matter of habit, as I generally had no idea what street I was on; none of them seemed to have street signs, and so the strip malls in their various shades of brown and crumbling yellows, the gas stations buttressing them with dull plastic awnings or cloth awnings or no awnings over the banks of pumps, and the lots of scrawny trees and old barrels barely obscuring the murky housing tracts behind them, off the main road, served as my landmarks and led the way for me. The final two left hand turns of my journey, for example, were indicated first by a bunkered Chevron with a 12′ mound of soft drink trays beside it and then by a mobile taqueria permanently moored to a vacant lot that seemed to have once held a laundromat. Past the taqueria was suburban housing development built, from the look of it, in the early 1970’s, rife with lost, sagging basketballs and rusty chain link fences, and there, squat in the middle of this place that was both nowhere and everywhere, sat a lake and a hand painted sign advertising

GB’s Lake
Fishing 3.00
Red Worms 1.00
No Swimming or Gambling

Now, G.B. had passed on years before I moved to the area, but Mrs. G.B. kept the lake afloat, so to speak-most days, she sat in her car beside the worm house with the air conditioner on until you drove up and got out, at which point she would get out of her car, glare at you for making her leave the air conditioning, unlock the worm house, take your money, and dispense worms, candy bars, and beer, if requested, from a small cooler. When I asked her once what G.B. had died from, she said “from being sick,” and that was about the end of our discursive history. She wasn’t around on September 12, 2001, in any case, and so I wrapped my $3 in a piece of scrap paper and slid it under the worm house door.

As I sat between a couple of inward-bowing pines and threw a lure gently at the dense, placid water, trying to release myself from the image of pedestrians in Manhattan watching the second tower fall and instinctively putting their hands up in the air to catch it, to hold it back, I listened to the banks of the lake hum with grackles and dragonflies and crickets. There is no evil in the world, I thought hopefully; there is only us, and nature will take us back someday, every person and every object formed by a person and every horror and wish as well. I worried at what our shifty, adolescent president might allow to happen–and while it would be nice to claim hindsight, I had no idea how foolish and amoral his choices would turn out to be. And I thought about the people who had died, and the people who had killed them, and I thought about these things and felt millions of other people thinking about them as well; the truth of this last sensation I do not doubt, no matter how empirically unverifiable it might be. Such will, such fanaticism, such innocence, such culpability, such suddenness, such grace… I tossed the lure again and wondered if the United States of America had ever been more than the myths propping it up, myths that seemed vaguely obscene, now. The coming together of human beings in times of need, in times of catastrophe, was not ours to claim as part of a national character: all humanity owns this trait, and in crawling toward it, free from avarice and want in a million strange and wonderful ways, we are as fully human as is possible. Thus we still exist, and in such number. All the other characteristics of human beings exist in service of this instinct, the one that moves us to shoulder another’s burden, to participate in the act of helping the species survive. But when this fragile instinct is clouded over, obscured, oh… how horrible we can be.

I lay my fishing pole on the knuckle of one of the pines and lost myself for a moment in the late afternoon light on the water. The other shore was roughly four hundred feet away, and it bent off to the right where the lake widened to three times that size. I noticed an iron gate, tiny on the bend in the shore, that seemed to be swinging, and as I noticed it the first of twenty or thirty horses spilled out from behind the trees and began to splash and jump in the shallow water. They played and shouted their whinnies and threw water in bright spumes off their manes of grey and white and auburn, waded out and licked at the surface of the lake, and danced before me like the a heart in the presence of its beloved. I lost time and self, and when they finally began, answering a thrice-rung bell, to retreat up the shore, I also lost tears, spotting the packed dirt beneath me. Perhaps when I was a child I had pictured America this way, as strength and freedom and grace unbridled, and perhaps not, but it occurred to me again, as I watched the horses dance, that what lies deeper than any nation but is claimed by all, what houses of worship cloak in ritual and unverifiable promises, is really fairly simple: the shared experience of being. And when it is taken from you, without warning, or even with foreknowledge, well, then the rules have changed, so perhaps it’s best to go ahead and mourn for its loss now while we still can, even while the unwitting are slaughtered in their daily shrouds, even while horses celebrate the presence of water in late afternoon.

(originally published on arabesques.org, an online lit magazine that seems to have gone away).